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GLS Audio ES-57 ES57 Professional Microphone Mic

GLS Audio ES-57 ES57 Professional Microphone Mic
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    List Price: $119.99
    Our Price: $39.99
    You Save: $80.00 (67%)

    Part #: 37-206
    Shipping Weight: 1.50 pounds
    Review Average: 5 out of 55 out of 55 out of 55 out of 55 out of 5 (39 customer reviews)
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    We are selling these brand new GLS Audio ES-57 Professional Microphones & clips at wholesale pricing. They were designed to sound just like the standard in the industry, the Shure SM-57. In the history of us selling the GLS Audio Microphones we have never had even one single customer that did not like them. We have sold thousands and thousands of them. If you like the SM57 you will LOVE the GLS Audio ES-57. We guarantee it 100%! If for any reason you don't think this mic sounds as good or better than the Shure SM57 we will give you a full refund! All our microphones include mic clips.

    Model Number: ES-57
    Uni-Directional Dynamic Microphone
    Designed for Musical Instruments & Drums
    Sensitivity: -72dB at 1,000 Hz (Open Circuit Voltage)
    Frequency Range: 40 Hz - 15,000 Hz
    Lo-Z XLR 3 Pin Balanced
    Impedance: 300 ohms at 1,000 Hz
    Size: 6 3/8" long x 1 3/8" Head x 7/8" End

    Customer Reviews:

    Average Customer Review: 5 out of 55 out of 55 out of 55 out of 55 out of 5 (39 reviews)
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    5 out of 55 out of 55 out of 55 out of 55 out of 5 Most bang for the buck out there... (9.19.2015)
    Reviewer: Steve Lawrence
    I've used these mics in a broadcast environment. I could not discern any difference between this mic and it's Shure progenitor. It's a spectacular value.


    5 out of 55 out of 55 out of 55 out of 55 out of 5 Equal to a Shure Beta 58, way cheaper (9.7.2015)
    Reviewer: Paul E. Mitchell
    Many folks don't realize that vocal mics wear out. Yelling and spitting into causes loss of high end and presence over time. A worn out mic tends to feed back more easily as well. If you have been using the same 58 for years and don't want to pay $100 or more for a replacement, try one of these. Turn off the eq on your PA first - you may not need it. Buy two and keep one as a spare! This 58 is as good as the venerable brand, and possibly better. The GLS 57 is definitely better than the original, particularly the way it is constructed. As an audio pro and performer I have been very happy with everything I have purchased from Orange County Speaker.


    5 out of 55 out of 55 out of 55 out of 55 out of 5 Another replacement for an SM57 (9.5.2015)
    Reviewer: Gil
    I purchased this mic to replace an SM57 that had it's grill badly damaged by a drummer [it was on the snare] at a church that I provide support to. I was asked if I could fix the damaged SM57, I said yes and replaced it with my ES57 in the interim. I noted that the ES57 is a clone of the SM57, however I considered it better than the original based on the frequency response curves of the two. I also noted that the ES57 had a better designed grill that was better suited for the snare in addition to the better high end. After giving them an A/B comparison of the ES57 to another SM57 and noting that a new ES57 was cheaper than a repaired SM57... they asked if I could replace the SM57 with an ES57. I said "of course." And that explains this purchase. :)


    5 out of 55 out of 55 out of 55 out of 55 out of 5 Skeptical at first, but these are great (7.23.2015)
    Reviewer: DatGeek
    I read the reviews and thought I would bite the bullet and buy some to try out. I am glad I did. these are just as solid as the real deal. sound almost exactly the same. they are solid built like a tank.I will never but a SM57 again I will just buy more of these. I am hooked.


    5 out of 55 out of 55 out of 55 out of 55 out of 5 Excellent quality mic (6.22.2015)
    Reviewer: Jeff
    If your looking for a mic that is comparable to the sm58 or sm57 then get these. It's a no brainer. You can't beat the price and the quality is outstanding.


    5 out of 55 out of 55 out of 55 out of 55 out of 5 Best mic for the price (6.18.2015)
    Reviewer: Oddi
    I had bought the GLS ES-58 and ES-57 in the past and I've been very please about the quality and the price of these microphones. I recommend them!


    5 out of 55 out of 55 out of 55 out of 55 out of 5 Good or better than any other (1.6.2015)
    Reviewer: G. Harvey - Long Beach
    I'm using the ES 57 on my bass drum and it works great. The fullness and crispness of it really comes across. I'm going to be using more on the snare and toms and looking forward to it. There is no way you can beat the price and the quality for this mic. It was especially beneficial with the coupon around Black Friday.


    5 out of 55 out of 55 out of 55 out of 55 out of 5 GLS ES-57 is indistinguishable from the Shure sm 57 (12.15.2014)
    Reviewer: Kent P.
    You have a great company. By the way, we have tested the mic we purchased. The three ES57 three pack, against the Shure sm57. Frankly, we have always viewed the sm57 as being the number one microphone for all purpose use and are always amazed at the 57 for just about any studio quality miking. In a beta test of direct situation comparison, the GLS ES-57 is indistinguishable from the Shure sm 57.


    5 out of 55 out of 55 out of 55 out of 55 out of 5 ES-57 (12.15.2014)
    Reviewer: Tim Allen, Allen Sound
    I heard about the GLS mics from a friend who owns a recording studio and who also runs a folk/fusion band. He is finicky about sound: hes been known to refuse to use the house pa and sound man and put up his own stuff for concerts. Yea, that picky. I do sound for a yearly festival he and his band put on every year. I know his ear quite well. When he said he uses a GLS mic in his studio I was first stunned and then intrigued. I bought the three pack and compared them to my Shure SM 57 on an acoustic guitar. The GLS was clear and more true to the un-amplified sound of the guitar. The real test came when I ran sound for an outdoor gospel festival. I let the sound man for a major gospel group run my board for his band. He gave high marks for the mics I had on the instruments. They were all GLS mics (with windscreens on!). From that gig I was asked to run a major bluegrass festival the following year. The GLS mics had a lot to do with that. Recently I had to mic a hammered dulcimer in a noisy room for a craft fair. Again, clean and crisp and the signal was strong with no feedback problems. I have not had any complaints from bands when I use these mics. They are excellent on fiddles, banjos, guitars and other acoustic instruments.


    5 out of 55 out of 55 out of 55 out of 55 out of 5 GLS Audio mics (12.8.2014)
    Reviewer: Denny N
    Can't believe how good the 57s are. Heavy! Shipping is incredible. Don't know how you do it but you need to patent your process.


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